This record date of November 2008, but I had not had time to listen. That's done. Little Joy is the group's drummer Fabrizio Moretti of The Strokes, and it shows. The color of the voice is very similar to that of Casablancas but without reaching the level.
The sound is very warm, like the Strokes, but much more joyful and gentle, and Brazilian influences the disc are probably not unrelated to this difference.
It is carried away by 'The Next Time Around', 'Brand New Start', 'How To Hang A Warhol' or a 'No One's Better Sake' songs no other purpose than to propagate the mood is very successful. One can imagine without forcing a fire or a night on the beach.
'Keep Me In Mind' is completely think the Strokes, it's nice but it's a bad single. On the one hand because he does not really reflect the album and also because there is little point in trying to do Little Joy a pale copy of the Strokes.
The cake we also offer a great range of ballads most joyous ('Unattaingnable', 'Do not Watch Me Dancing') or less ('With Strangers') and a successful song completely out of context to the way a Pentonville on Down In Albion 'Evaporar' which looks like a Brazilian folk song fair. The syndrome of the 11th track to prevent the disc 10 songs seems to have struck again.
Good mood then, but not really as most excellent, no chills, no chorus again in unison ... if not 'Shoulder To Shoulder' real success of the album with this brilliant line:
'She Can Always Be Wrong, He Can Always Be right, not a matter of choice, just a matter of time' that you find yourself singing with passion at his computer (or his hi-fi). A real little gem of an album on a level quite adequate.
In conclusion, a good dose of good humor and music that feels good, it can not refuse, especially when it is like here, well done.
Thank you to Little Joy to get warm ears, a great 'love' to 'Shoulder To Shoulder', and wait impatiently for the next Strokes that feels decidedly good.
Little Joy - Little Joy: 7 / 10
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